From Body Cast to Belly Dancing Flutist Viviana Guzman’s Inspiring Life
Viviana Guzman is a phoenix bird. Rising out of the ashes of a difficult early life, she has emerged like
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July 2013
Interview with Carol Wincenc
Live video interview with Carol Wincenc.
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Supporting Composers: by Sy Brandon
I believe that it was the late Dr. Neil Humfeld, former Trombone Professor at the University of Texas at Commerce, who had a requirement that all his students giving recitals needed to contribute in some way to expanding the repertoire of their instrument.
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Composing for the Flute: Far Corners and November Sonata. by Bruce Lazarus
Throughout my career as a composer I’ve been fascinated with the the expressive and technical possibilities of the flute; its apparently unlimited agility, high register which may be strident or delicately bell-like, breathy harmonics, and the darkness of its lowest tones.
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Nicole Esposito: Blue Solitude Review
Nicole Esposito, flute professor at The University of Iowa, has recently released an album featuring works by Latin American composers. This collection includes both art music as well as folk songs arranged for this ensemble. Esposito’s beautiful, lush sound blends quite well with the stringed instruments with which she is playing, especially in the flute’s lower register.
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Ian Clarke: Deep Blue Review
Ian Clarke’s second album doesn’t disappoint. Each of these works was written by Clarke between the years 2006 and 2012, and this album proves that he continues to write music that is fresh, inventive, and accessible.
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Happy, Healthy Hands: by Beverly Hawkins
Technology, laptops and handheld devices have changed the demands on everyone’s hands. Add being a flutist and you can quickly experience some discomfort. Relax! There is a lot you can do to navigate non-flute related tasks by having your arms, hands, shoulders and neck, work smarter, not harder!
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The future of American orchestras: Three Approaches
Orchestras have come under a great deal of pressure in the last few years to be more inclusive, to reach out to their communities and create innovative programs and embrace various art forms and musical styles. As a result many interesting concerts are happening – some more successful than others. Orchestras are creating programs that relate to their particular demographic and that work to build audiences.
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