FeaturedInterviewsIssuesJanuary 2025

Jamie Baum Artist Interview

Jamie Baum, NYC jazz flutist/composer, Sunnyside Records artist and 2014 Guggenheim Fellow, has toured 35 countries and worked with a wide range of jazz artists from Paul Motion, Tom Harrell, Richie Beirach and Randy Brecker to Dave Douglas, Louis Cole, Roy Hargrove, Anthony Braxton and Wadada Leo Smith. Her seventh CD, What times Are These (2024) featuring her compositions, received 5-stars from DownBeat. Nominated by the Jazz Journalists Association “Flutist of Year“ 13 times and placing in DownBeat polls annually since ’98, Baum leads both The Jamie Baum Septet+ and her Quartet. Jamie is a faculty member at Manhattan School of Music and is a clinician for Altus Flutes/KHS America.

Can you give us 5 career highlights?

1) Receiving the Guggenheim Fellowship award in Composition in 2014 (among several other awards)
2) Putting out 7 recordings of my music, all on Independent record labels (all extremely well received both nationally and internationally)
3) Receiving a 5-star review in DownBeat Jazz Magazine for my most recent release, “What Times Are These” (very infrequently given)
4) Touring in Europe several times, India 3 times and Nepal 4 times
5) Being a US State Department Jazz Ambassador

 

How about 3 pivotal moments that were essential to creating the artist that you've become?

Attending New England Conservatory for my undergraduate degree. Going there at the beginning of my career, studying with many iconic teachers (including George Russell, Jaki Byard, Tom McKinley, Robert Stallman, etc.) and meeting and playing with the students there (some of whom I still play with and are great friends) was very transformative
Performing in India and Nepal with many great musicians
Living in NYC, being surrounded by a very high level of musicians and being pushed and inspired all of the time

 

What do you like best about performing?

Connecting with other musicians and the audience

 

CD releases?

I have 7 CD out as a leader (and over 50 as a sidewoman).
-What Times Are These (Sunnyside)
-Bridges (Sunnyside)
-In This Life (Sunnyside)
-Solace (Sunnyside)
-Moving Forward, Standing Still (Omnitone)
-Sight Unheard (GM Recordings)
-Undercurrents (Konnex)
I have 2 CDs out with cooperative bands:
-Inch By Inch w/Yard Byard:The Jaki Byard Project (GM Recordings)
-Intersect w/Sharp Five (Consensus)
-Props for Pops w/Great Circle (JA Records)

 

What does your schedule look like for the next 6 months?

Fairly busy. In addition to my teaching at Manhattan School of Music and some students I have from the New School University, I have performances in January in NYC and California. In April, I will be a featured guest artist at the Lionel Hampton Jazz Festival at the University of Idaho in Moscow, Idaho. Before that I’ll be on tour with Monika Herzig’s band in NY, Indiana, Luisiana and then later I’ll go to Europe.

 

Tell us a bit about your upcoming tour of the West Coast, how did the tour unfold? What are you most excited about?

The Jamie Baum Quartet
Jamie Baum - flutes, compositions
Leo Genovese - piano (worked with Wayne Shorter, Esperanza Spalding)
Matt Penman - bass (worked with SF Jazz Collective, Joshua Redman)
Rob Garcia - drums (worked with Wynton Marsalis, Joseph Jarman, David Byrne)
Tour Dates:
1Jan 22 - clinic, Department of Music, Cal Poly Humboldt
2Jan 22 - Redwood Jazz Alliance, Arcata  - Tickets & Info: https://www.redwoodjazzalliance.org
3Jan 23 - Kuumbwa, Santa Cruz  - Tickets & Info: https://www.kuumbwajazz.org
4Jan 24 - SFJazz, San Fransisco  - Tickets & Info:https://www.sfjazz.org/tickets/productions/24-25/jamie-baum/
5Jan 25 - Private House Concert, SLO
6Jan 26 - Bach Dynamite and Dancing, Half Moon Bay  - Tickets & Info: https://bachddsoc.org
For inquiries/interviews: lynnjam@earthlink.net
I’ve toured the west coast a few times with my larger group, The Jamie Baum Septet+ performing at festivals and venues including the Redwood Jazz Alliance, Monterey Jazz Festival, the San Jose Jazz Festival, Angel City Jazz Festival and Kuumbwa. I’ve also played a few times in LA, San Diego and the surrounding area. I've been wanting to perform at SFJazz and Bach Dancing and Dynamite for several years since I’d heard great things about those venues, but the timing was never right. A year ago I met Jeanette Wong who invited me to perform at SFJazz, however she was more interested in having me come with a quartet. Before I'd formed my Septet+ I would often tour and perform in the quartet setting, something I loved to do and have been doing more frequently recently, so it seems to be perfect timing. In addition to being very excited to perform at these wonderful venues, I’m excited to play with the musicians I’m bringing, and to perform within the intimacy of a quartet where there is such a palpable connection…an almost tangible interaction -  both between the musicians and the audience.

 

What are your goals personally?  Professionally?

They have been pretty much the same for a long time:
Professionally - to keep learning, improving and growing as a musician, composer, flutist, educator. To practice, compose, tour and record as much as possible. To meet and play with new musicians in new settings. To (someday, finally) write a few instruction books that have been on my mind for some time (improvisation, composition), etc.
Personally - to try to spend as much time as possible with friends and loved ones and to be “present” when I am with them. To maintain somewhat of a good exercise routine!

 

What inspires you the most in life?

Great art and artists of any genre
Traveling and learning about other cultures

 

What has been your professional greatest challenge?

Playing at a consistently high level despite both the unexpected challenges “life throws at you,” and the inconsistency of the “music business” - particularly as a soloist and free-lance musician.
Navigating the ”music business,” balancing the time needed to devote to it, and to not become too distracted by it.

 

What has been your personal greatest challenge?

Maintaining a “balanced life” and practicing/composing as much as I’d like
Staying positive despite “life’s challenges,” the state of the music business, politics and the “state of the world"

 

Who were your music mentors?

Jaki Byard
Tom McKinnley
Charlie Banacos
Richie Beirach
Rich DeRosa
Keith Underwood, Hubert Laws, Gary Schocker

 

 and what did you learn from them?

Persistence, focus, how to practice, compose, improvise, be musical, trust my instincts. work hard

 

Can you give us 5 quirky, secret, fun, (don't think too much about this) hobbies or passions?

watching cooking shows (favorite is Chef’s Table on Netflix)
listening and watching youtube videos of Zakir Hussain (recently)
going to the health club and sitting in the sauna
eating out

 

What 3 things would you offer as advice for a young flutist?

Practice as much as possible
Study and play with the best musicians possible
Find your own voice and be proactive
Listen to the music you want to play and/or the players you want to play like

 

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