Jennifer Grim Artist Interview
Hailed as “a deft, smooth flute soloist” by the New York Times, Jennifer Grim’s remarkable depth and breadth as a
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October 2019
Anne Pollack and Crossing Point Arts
Anne Pollack started her first business as a Flute Technician and Dealer when she was 18, and for decades was
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Susanna Loewy and Ellipses Ensemble
What is the Ellipses Ensemble and when/why did you decide to create it? Who are the core members? Through a
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Emma Shubin and Integral Steps
What is Integral Steps and when/why did you decide to create it? Who are the core members? Integral Steps
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Barbara Siesel and 20 Years of Music For Social Change
In my own work I’ve always been concerned about audiences and audience building in a time of intense change for classical music. I wondered, how can I have an impact and use music to help affect change?
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Viviana Guzman and Saving the Vaquita Porpoise
Described by the New York Times as “an imaginative artist,” Chilean-born multi-instrumentalist Viviana Guzman performs over 80 concerts a year
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Elzbieta Wolenska Artist Interview
Elzbieta Wolenska is a dynamic artist who embraces both traditional and contemporary classical music. An avid performer, she frequently performs
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Understanding the Connection Between Your Arms and Tongue Can Improve Your Articulation
By Rena Urso Rimsky-Korsakov Scheherazade. Saint-Saëns Voliere. Mendelssohn Scherzo. Delibes Coppélia. Tchaikovsky Symphony No. 4. Each of these pieces have
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The Caffeinated Flutist Vol. 16 – Balancing Two Degrees
By Mary Hales Hey there, flute-trepreneurs! With the school year cranking up here at Mizzou as we wrap up week
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