FeaturedIssuesSeptember 2025

What Presenters Are Really Looking For

Musicians often believe that the key to building a career is simply to play beautifully and stay dedicated to their craft. While that is the foundation, it is not the whole picture when it comes to being programmed. Presenters face a complex set of decisions each season. They are not just choosing artists they admire, but shaping a series that is cohesive, marketable, and meaningful to their community. Understanding this bigger picture can help musicians position themselves more effectively.

Programming with Purpose

At the heart of a presenter’s work is programming. Every concert they book is part of a larger story they want to tell. They are thinking about how each performance will connect with the rest of the season, how it will engage different segments of their audience, and whether it offers something fresh without alienating their core subscribers. A recital program that feels inspired and purposeful will always stand out more than a standard list of repertoire. Presenters are drawn to concerts that have an idea behind them, whether it is a thread that ties the pieces together, a conversation between eras, or a theme that resonates with the community.

Beyond the Stage

In today’s concert world, the performance itself is only part of the equation. Presenters value artists who are willing to step off the stage and connect more personally. This might mean offering a short introduction to the program, leading a masterclass, joining a donor reception, or even visiting a local school. None of these things are mandatory, but they often make the difference between an artist who is seen as “just passing through” and one who leaves a lasting impression. Presenters are looking for musicians who see themselves as partners in building cultural life, not just as performers delivering a product.

Professionalism Matters

An often overlooked factor is how easy an artist or ensemble is to work with. Presenters juggle countless details, including budgets, schedules, venues, and marketing, and the smoother the collaboration, the more likely they are to want to work together again. Prompt communication, clear technical riders, and flexibility when plans inevitably shift are all qualities that presenters notice and appreciate. The truth is that presenters talk to one another. A reputation for professionalism and reliability can be just as powerful as artistry when it comes to long-term opportunities.

The Question of Timing

Sometimes even the best program from an extraordinary artist does not get booked simply because the timing is not right. Presenters may already have a similar ensemble that season, or the budget may not allow for another large project. This is why patience and relationship-building are so important. Staying on a presenter’s radar through regular updates, offering new programming ideas each year, and showing consistency over time helps build trust. A “no” in one season does not mean “never.” More often, it means “not right now.”

Relationships First

At its core, this work is about relationships. Presenters want to collaborate with artists who inspire them, who show generosity of spirit, and who understand the mutual effort it takes to bring a concert to life. The more an artist invests in these relationships with agents, presenters, audiences, and communities, the more sustainable their career will be.

For musicians, remembering that artistry is only one part of the equation can shift the way you approach your career. When you lead with creativity in your programming, generosity in your presence, and professionalism in your interactions, you make a presenter’s job easier. More importantly, you give yourself the best chance of being remembered, invited back, and woven into the larger story a presenter is building.

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