Lindsey Goodman Album Feature and Review: IN THE COMPANY OF MUSIC
“Masterful music invites performers to accept and rise to all challenges,” says flutist Lindsey Goodman, who along with pianist Clare Longendyke brings an exhilarating cross section of contemporary chamber works to life on IN THE COMPANY OF MUSIC. From evocative miniatures to pensive, multi-movement works, this Navona Records release showcases the breadth of compositional styles in which the flute can shine, exploring traditional expressions, the avant garde, and everywhere in between. These pieces from 8 living composers are remarkably diverse, and so are the inspirations behind them — from major events in human history to pure musical curiosity and more.
TRACKLIST
01 Lava Melissa D'Albora Lindsey Goodman, flute 6:35
02 Cadenza 2 Allen Brings Lindsey Goodman, flute 4:56
03 Phases, III. Dampening Christopher Jessup Lindsey Goodman, flute 3:04
04 ...no such thing as an empty space Anthony Paul De Ritis Lindsey Goodman, flute 4:36
05 Soliloquy and Rondo Richard E Brown Lindsey Goodman, flute; Clare Longendyke, piano 9:20
06 Voice of the Turtle Mark G. Simon Lindsey Goodman, flute; Clare Longendyke, piano 12:24
07 War Ends; Song Endures Deon Nielsen Price Lindsey Goodman, flute; Clare Longendyke, piano 6:27
08 Suite for Flute and Piano: I. Preludio Heidi Jacob Lindsey Goodman, flute; Clare Longendyke, piano 3:05
09 Suite for Flute and Piano: II. Scherzo Heidi Jacob Lindsey Goodman, flute; Clare Longendyke, piano 2:57
10 Suite for Flute and Piano: III. Intermezzo Heidi Jacob Lindsey Goodman, flute; Clare Longendyke, piano 4:25
11 Suite for Flute and Piano: IV. Rondino Heidi Jacob Lindsey Goodman, flute; Clare Longendyke, piano 3:14
1. Why did you record this CD?
in the company of music was the result of a Featured Recording Opportunity (a call for scores) from PARMA Recordings in fall 2023. and we received many new works by living composers for both solo flute and flute and piano in response to the FRO. It was exciting to hear music by many new-to-me composers and to "try on" many new-to-me pieces, as we finalized the works to be included on this album. Recording is a wonderful way to share new music with others, which is a primary reason that I enjoyed recording this album.
2. Where did you get your Inspiration?
Because all of the works and the composers on this album were new to me, much of the inspiration for the performances on the album came from getting to know this new music and these new-to-me creators. Each composer and I had a video call to meet each other, talk about their music, and for me to play their piece for them while I was still very early in my learning process. This enriched my interpretative development immensely, and having the composers either in the studio or attending their recording session virtually also helped to capture authentic interpretations of each work for the album.
3. Facts about the project?
ALBUM REVIEW
Lindsey Goodman’s latest album, In the Company of Music, is a radiant showcase of artistry, collaboration, and emotional depth. This remarkable flutist, celebrated for her bold interpretations and impeccable technique, joins forces with pianist Clare Longendyke to deliver a collection that resonates deeply with listeners. Together, they navigate a wide spectrum of musical landscapes with remarkable synergy, bringing a distinct voice to each piece.
One of the standout works on the album is Richard E. Brown’s Soliloquy and Rondo. Here, Goodman’s rich, voluptuous tone takes center stage, weaving through the music with an innate sense of lyricism and purpose. Longendyke’s piano accompaniment complements Goodman beautifully, providing both a supportive foundation and dynamic interplay. The result is a dialogue between two musicians who seem to anticipate each other’s every move, creating an enthralling listening experience.
Another highlight is Deon Nielsen Price’s War Ends; Song Endures, where Goodman turns to the alto flute. Her mastery of this instrument is evident as she conjures a haunting, ethereal sound world that feels both intimate and expansive. The piece is a poignant meditation, and Goodman’s interpretation is nothing short of mesmerizing. Each note is infused with emotion, drawing the listener into a reflective and transformative space.
Throughout the album, Goodman’s sound is as versatile as it is distinctive. Whether she is delivering passages of shimmering delicacy or unleashing torrents of fiery energy, her control and expressivity remain unparalleled. Longendyke’s piano is equally compelling, marked by a sensitivity and precision that elevate each composition. Together, they make every track a journey worth taking.
In the Company of Music is a testament to the power of collaboration and the enduring beauty of contemporary music. Lindsey Goodman and Clare Longendyke have created an album that not only showcases their extraordinary talents but also invites listeners to immerse themselves in the rich tapestry of modern flute and piano repertoire. This is a must-hear recording for lovers of chamber music and for anyone seeking an evocative, soul-stirring listening experience.