An Orchestral Tour of Germany: by Joshua Michael
This spring, I traveled to Germany to discover my roots as well as have the opportunity to take lessons with
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What I Do, Why I Do It. by Jason Blank
What I do, why I do it Jason Blank Owner, Bernhard Hammig North America National Account Manager, Maple Leaf
Read MorePaul Fried CD review by Fluterscooter
In Paul Fried’s latest recording, Flute and Piano Masterpieces, released on Golden Tone Records, the Los Angeles based flutist combines
Read MoreMeerenai Shim CD review by Tammy Evans Yonce
The Art of Noise Meerenai Shim Daniel Felsenfeld – To Committee: A Self Parody I. Brooklyn Ekphrasis II. How
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Canadian Flute Convention by Viviana Guzman
From start to finish the Canadian Flute Convention was both a complete success and as well as a source of
Read MoreFrom Body Cast to Belly Dancing Flutist Viviana Guzman’s Inspiring Life
Viviana Guzman is a phoenix bird. Rising out of the ashes of a difficult early life, she has emerged like
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Supporting Composers: by Sy Brandon
I believe that it was the late Dr. Neil Humfeld, former Trombone Professor at the University of Texas at Commerce, who had a requirement that all his students giving recitals needed to contribute in some way to expanding the repertoire of their instrument.
Read MoreComposing for the Flute: Far Corners and November Sonata. by Bruce Lazarus
Throughout my career as a composer I’ve been fascinated with the the expressive and technical possibilities of the flute; its apparently unlimited agility, high register which may be strident or delicately bell-like, breathy harmonics, and the darkness of its lowest tones.
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