Keeping Up With Kaori: What’s Next for Music Beyond...

Jul 1, 2017 by

We wrote about Music Beyond a few years back.  How has Music Beyond grown since then?   In August, Music Beyond will mark 3 years since the inception. Our student base has grown about 6x and we have manage to provide over 400 hours of training (by the time I...

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Dr. Cate’s Corner: Blowing is the Foundation of Playing by Dr. Cate Hummel...

Jul 1, 2017 by

Blowing and….. We know we need to blow to play the flute. This seems patently obvious, but do we really know how to blow in a way that informs our tone, technique, articulation and phrasing? I would say maybe not always, based on my own experience as a student,...

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Commissioning New Music: A Guide to Getting Started by Nicole Riner...

Jul 1, 2017 by

Praised for her "luscious, full sound" (American Record Guide) and "effortless precision" (Flutist Quarterly), Nicole Riner maintains an active national presence as a recitalist and pedagogue. She has presented master classes at universities and conservatories across the country and has performed with orchestras and at summer festivals, chamber music...

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Tips for Smarter Social Media Commenting. By Rachel Hacker...

Jul 1, 2017 by

The Flute View has written about social media use on many occasions. Each of us who write for the magazine have benefited from interacting with a daily network of flutists and musicians from all over the world.  Blunders with people from the digital world are likely, if not inevitable....

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Music Is The Ointment That Heals by Dyan Parker...

Jul 1, 2017 by

  After years of research on healing, it became apparent to me that our bodies and minds act in unison. It is therefore important to have an antidote to our emotional wounds so that they do not affect our physical health. Music is capable of healing those wounds. How...

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A Summer Practice Plan. By Dr. Tammy Evans Yonce...

Jun 1, 2017 by

As the school year ends, many students are joyously looking forward to some relaxation and perhaps a break from the flute. Some students spend the summer working in order to have enough saved to pay for living expenses for the upcoming school year. While it’s a good, healthy idea...

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New Friends at the New Music Gathering. By Rachel Hacker...

Jun 1, 2017 by

I adore flute events as much as the next person, but attending a non-flute focused conference was a welcomed breath of fresh air. Having been to a lot of flute fairs named the “Northeastern/central/whatever college organization-Flute Workshop,” I expected the New Music Gathering to be the same as a...

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9 Checklists for Practicing Technical Passages. By Kristyn Son...

Jun 1, 2017 by

  As flutists, we are often challenged by the composers to push our limits with technical demands. With the nature of the instrument, it is important that we embrace and feel confident playing fast rather than being fearful about it. I have provided 9 checklists for flutists at any...

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The Flute’s Mainstream Moment. By Mara Miller and Justine Stephens...

May 1, 2017 by

As one of the oldest wind instruments, the flute is a staple in Eastern music, classical music, and jazz due in no small part to its versatility in tone and character. Even the presence of flute in modern popular music has become prevalent and widespread across genres. Typically hidden...

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Optimal Musical Communication. by Catherine Ramirez...

May 1, 2017 by

  This article first appeared in the winter 2014 issue of The Flutist Quarterly, the member magazine of the National Flute Association, and is reprinted with permission. nfaonline.org. THE VALUE OF OPTIMAL COMMUNICATION A master musician can captivate an audience before ever playing a note. A subtle change of tone can entice...

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On Playing Mother Goose. By Allison Fletcher...

May 1, 2017 by

An Historical and Stylistic Analysis of the Piccolo Solos in Ravel’s Ma mère l’oye (1911), III. “Laideronnette, Impératrice des pagodes Adapted from Fletcher, Allison Marie Flores. “Ten Orchestral Excerpts for Piccolo: An Historical and Stylistic Analysis.” DMA Dissertation, University of North Carolina at Greensboro, 2008.   Maurice Ravel (1875-1937)...

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How I Played Flute and Organ at the Same Time. By Fluterscooter...

Apr 1, 2017 by

At this year’s Iowa Flute Festival, I took on a challenge given to me by flute professor and festival chair Nicole Esposito, to play flute and organ simultaneously! This is something I had tried many years ago at Flutes by the Sea, but I never had the chance to...

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What’s Next? 5 Tips for Life After Graduation. By Katherine Isbill Emeneth...

Apr 1, 2017 by

  “Going into the classical music profession is difficult. There aren’t enough jobs. Audiences are dwindling. It’s hard to make money. It’s not like it used to be.” Sound familiar? As classical musicians, we encounter these statements frequently and yet we continue to study, love, appreciate, and live our...

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Thinking About Moyse: Inflection. By Cate Hummel...

Apr 1, 2017 by

Inflection is one of the most important tools we have in our expressive toolbox. It is also frequently largely discounted and overlooked. We spend the bulk of our practice time working on tone and technique, blowing and articulation, extended techniques, etudes, mastering the standard repertoire and orchestral excerpts. And...

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Art for Social Change by Barbara Siesel...

Mar 1, 2017 by

“In the face of Trump, many artists report feelings of paralysis. Should they carry on as before, nobly defying the ruination of public discourse? Or seize on a new mission, abandoning the illusion of aesthetic autonomy?” Alex Ross Above is a quote by Alex Ross in his article in...

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In Defense of the Practice Room Selfie. By Laken Emerson...

Feb 1, 2017 by

Yes, the practice room mirror selfie is shameless. Here’s why you should do it. The consumer-performer relationship has endured — and survived — many struggles over the last several decades; with modern technology, we are more than a hop and a skip away from formal concert settings of yore....

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How I Ended Up Working in the Music Industry. By Paula Savastano...

Feb 1, 2017 by

Specializing in Copyright, Licensing, Royalties and Publishing, Paula Savastano has worked in the music business for more than 25 year. As a classically trained musician, she began her career in Opera Management, but quickly made the switch to the popular music realm. She has worked in administrative management and...

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Musicians for Arts Advocacy. By Barbara Siesel...

Feb 1, 2017 by

Last Saturday I participated in the Woman’s March, joining a sister march in NYC. It’s estimated that 400,000 women attended the NYC march and scientists estimate that between 3-4 million people marched worldwide.  It shows that people really care about what is happening around women’s issues and human rights.  The experience was inspiring...

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Can Entrepreneurship Effect Political Change?...

May 1, 2016 by

Well, it’s election time. We are being bombarded by politicians, pundits, and the public all talking about the problems facing America today and how they are going to fix it, or not fix it!!!  So I thought it was time for an article about how our entrepreneurial projects can...

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Music of Hermeto Pascoal by Rebecca Kleinmann...

Apr 1, 2016 by

The Adventure and Expressions of Brazil’s Music of Hermeto Pascoal by Rebecca Kleinmann Picture a man who looks like a wizard with long white hair, a huge frizzy white beard and pale skin, writing music symbols directly on a wall with a marker, his nose practically touching the wall...

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