Becoming the Electroacoustic Flutist. by Lindsey Goodman
I am a big fan of new music: brand-spanking fresh music which smacks of the world we see out our
Read MoreI am a big fan of new music: brand-spanking fresh music which smacks of the world we see out our
Read MoreThe journey of a musician begins at any age, but for those of us that continue on this journey from
Read MoreRecently I had the opportunity to meet and work with New York City based flutist turned yogi, Nicole Newman, founder
Read MoreViviana: Can you give us 5 career highlights? Leone: It’s always challenging to choose a “Top Ten” or “Top Five”–in
Read MoreViviana: What inspired you to commence the Syrinx Journey? Do you have something special planned for Day 365? What are
Read MoreWith the new school year quickly approaching, it is easy to be busy with the “to do” lists; buying supplies,
Read MoreMy path to Brazilian music was somewhat unusual, because it didnʼt really have much
to do with the flute.
Fluterscooter: You had mentioned how the shakuhachi originated as a Zen Buddhist practice. James: Yes, traditional shakuhachi practice was created
Read MoreThis spring, I traveled to Germany to discover my roots as well as have the opportunity to take lessons with
Read MoreWhat I do, why I do it Jason Blank Owner, Bernhard Hammig North America National Account Manager, Maple Leaf
Read MoreFrom start to finish the Canadian Flute Convention was both a complete success and as well as a source of
Read MoreViviana Guzman is a phoenix bird. Rising out of the ashes of a difficult early life, she has emerged like
Read MoreOrchestras have come under a great deal of pressure in the last few years to be more inclusive, to reach out to their communities and create innovative programs and embrace various art forms and musical styles. As a result many interesting concerts are happening – some more successful than others. Orchestras are creating programs that relate to their particular demographic and that work to build audiences.
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