An Orchestral Tour of Germany: by Joshua Michael
This spring, I traveled to Germany to discover my roots as well as have the opportunity to take lessons with
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What I Do, Why I Do It. by Jason Blank
What I do, why I do it Jason Blank Owner, Bernhard Hammig North America National Account Manager, Maple Leaf
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Canadian Flute Convention by Viviana Guzman
From start to finish the Canadian Flute Convention was both a complete success and as well as a source of
Read MoreFrom Body Cast to Belly Dancing Flutist Viviana Guzman’s Inspiring Life
Viviana Guzman is a phoenix bird. Rising out of the ashes of a difficult early life, she has emerged like
Read MoreSupporting Composers: by Sy Brandon
I believe that it was the late Dr. Neil Humfeld, former Trombone Professor at the University of Texas at Commerce, who had a requirement that all his students giving recitals needed to contribute in some way to expanding the repertoire of their instrument.
Read MoreComposing for the Flute: Far Corners and November Sonata. by Bruce Lazarus
Throughout my career as a composer I’ve been fascinated with the the expressive and technical possibilities of the flute; its apparently unlimited agility, high register which may be strident or delicately bell-like, breathy harmonics, and the darkness of its lowest tones.
Read MoreThe future of American orchestras: Three Approaches
Orchestras have come under a great deal of pressure in the last few years to be more inclusive, to reach out to their communities and create innovative programs and embrace various art forms and musical styles. As a result many interesting concerts are happening – some more successful than others. Orchestras are creating programs that relate to their particular demographic and that work to build audiences.
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