Hadar Noiberg: The Self-Sufficient Flutist
As long as I can remember, I have always loved to play music. It didn’t really matter on which instrument
Read More
Essays
Non-traditional Performance Spaces: The Way of the Future by Taylor Rossi
Picture this: you’re performing incredible repertoire, there’s a big audience, and afterward you even get paid. You open your eyes
Read More
The Stanislavski Method for Orchestral Musicians by Maxim Rubtsov, Principal Flute of the Russian National Orchestra
In this exclusive article for The Flute View, Maxim reveals a few simple truths that lead to success: 1) prepare,
Read More
350 Years of Flute. By Elizabeth Walker
It was my absolute joy and privilege to be invited to Orlando this summer. I knew what to expect having
Read More
How to Plan and Organize a Successful Skype Masterclass. By Ruth Mayhew
Technology today allows us to communicate in wonderful ways! Our quest for knowledge is increasing, but so many of the
Read More
Charles Griffes: Mysterious Romanticism (Pt. 2). By Kelariz Keshavarz
Charles Tomlinson Griffes (1884–1920) is one of the most important composers in late nineteenth and turn-of-the-century America. Despite his short
Read More
Time for a Social Media Break? How to Remain Active While Logged Off. By Fluterscooter
The New York Times recently published a story called “How to Make This the Summer of Missing Out,” which strongly
Read More
The Caffeinated Flutist, Vol. 2: How to Start Building Your Brand. By Mary Hales
Hey there, Flutetrepreneurs! In this column, we’re going to talk about how you can start building your brand as a
Read More
Griffes Poem Analysis (Part 1). By Kelariz Keshavarz
CHARLES T. GRIFFES: MYSTERIOUS ROMANTICISM AT THE EARLY 20TH-CENTURY AMERICAN MUSIC PART ONE Charles Tomlinson Griffes (1884–1920) is one of
Read More