Optimal Musical Communication. by Catherine Ramirez
This article first appeared in the winter 2014 issue of The Flutist Quarterly, the member magazine of the National Flute Association,
Read MoreThis article first appeared in the winter 2014 issue of The Flutist Quarterly, the member magazine of the National Flute Association,
Read MoreAn Historical and Stylistic Analysis of the Piccolo Solos in Ravel’s Ma mère l’oye (1911), III. “Laideronnette, Impératrice des pagodes
Read MoreAt this year’s Iowa Flute Festival, I took on a challenge given to me by flute professor and festival chair
Read More“Going into the classical music profession is difficult. There aren’t enough jobs. Audiences are dwindling. It’s hard to make
Read MoreInflection is one of the most important tools we have in our expressive toolbox. It is also frequently largely discounted
Read More“In the face of Trump, many artists report feelings of paralysis. Should they carry on as before, nobly defying the
Read MoreYes, the practice room mirror selfie is shameless. Here’s why you should do it. The consumer-performer relationship has endured —
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