Flute (and Body Mapping!) Magic in Belgrade
by Rena Urso Last summer my friend Snježana Pavičevič, piccoloist of the Belgrade Philharmonic, and I began a conversation
Read Moreby Rena Urso Last summer my friend Snježana Pavičevič, piccoloist of the Belgrade Philharmonic, and I began a conversation
Read Moreby Betty Bang Mather Act without doing, work without effort. —Tao Te Ching, #63 (Stephen Mitchell’s English version) For a
Read Moreby Alan Medak Headaches, eye fatigue, or stiff neck or shoulder? It might be your music stand lighting. Why is
Read MoreVenezuelan Native Maria Gabriela (Gaby) Alvarado is a modern and baroque flutist with a passion for bringing classical music to
Read Moreby Rachel Taylor Geier, DMA For performers that experience chronic performance anxiety, the stage often feels like an icy torture
Read MoreOry’s Flute Tips Have you ever experienced a ‘bad practicing day’? A day in which nothing you have done seemed to
Read MoreOry’s Flute Tips I’m sure you are very well familiar with the following: You open your flute case in the morning,
Read Moreby Viviana Guzman When I first started performing, I used to be a nervous wreck. The day I was supposed
Read MoreBy Christine Elizabeth Clancy Christine Elizabeth Clancy is an American flutist living in Sweden. She is an active orchestral musician
Read Moreby Rena Urso What do you know about your spine? Where is it? What is it like? What is
Read MoreBy Caitlin Rose Burnout––a relatively short word that packs a huge punch. While it’s becoming a little less taboo to
Read MoreEmbracing Imperfection: Learning Standard Repertoire through the Alexander Technique by Francesca Leo An average estimation of the time it takes to
Read MoreBreathe. Musicians are always in search of the magic pill that will help us do what we do, better. In
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