Using F. M. Alexander’s Methodology to Solve Finger and Cervical Dystonia
by Mark Dannenbring Mark Dannenbring maintains an active career teaching flute and body awareness (formerly) at the prestigious Tunghai University
Read Moreby Mark Dannenbring Mark Dannenbring maintains an active career teaching flute and body awareness (formerly) at the prestigious Tunghai University
Read Moreby Rena Urso Last summer my friend Snježana Pavičevič, piccoloist of the Belgrade Philharmonic, and I began a conversation
Read Moreby Rena Urso On October 18th the Oakland Symphony returned to the Paramount Theater for the first time since February
Read Moreby Terri Sánchez and Kate Martin Musicians of all ages and levels tend to know where they stand in their
Read Moreby Rena Urso Looping back to build on my thoughts from last month’s, Taking What You Need, specifically, shifting from
Read MoreBreathe. Musicians are always in search of the magic pill that will help us do what we do, better. In
Read MoreBy Rena Urso Rimsky-Korsakov Scheherazade. Saint-Saëns Voliere. Mendelssohn Scherzo. Delibes Coppélia. Tchaikovsky Symphony No. 4. Each of these pieces have
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